“Could you double-check the envelope?”
Martin Scorsese at the 2007 Academy Awards after winning for Best Director
Fyodor Dostoyevsky, “White Nights”
favourite films:
Pride and Prejudice (2005)And then the music you’ll recognise as being the music that we first hear when we enter Longbourn at the very, very beginning of the film….also by Dario, the composer,who composed it before we started filming. The reason I used the same music is because it would remind her of home.That finding the person you’re supposed to be with is like coming home.And that even though this house is so completely different from her house…it’s the same spirit, the same music moves there. (X)
- Joe Wright director’s commentary
“You always look so cool. The man in the cool beautiful suits.”
The Doctor and The Torch
SO HAPPY FOR MATT.
How can a girl say again, “I do not want to be respectable because respectable girls are not attractive,” and how can she again so wisely arrive at the knowledge that “boys do dance most with the girls they kiss and had asked papa?” Perceiving these things, the Flapper awoke from her lethargy of sub-deb-ism, bobbed her hair, put on her choicest pair of earrings and a great deal of audacity and rouge and went into battle. She flirted because it was fun to flirt and wore a one-piece bathing suit because she had a good figure, she covered her face with powder and paint because she didn’t need it and she refused to be bored chiefly because she wasn’t boring. She was conscious that the things she did were the things she had always wanted to do. Mothers disapproved of their sons taking the Flapper to dances, to teas, to swim and most of all to heart. She had mostly masculine friends, but youth does not need friends — it needs only crowds….
— Excerpt from Zelda’s essay “Eulogy on the Flapper” which was published by Metropolitan Magazine in June 1922. The article was accompanied by a sketch of Zelda done by Gordon Bryant (seen above).
We post a lot about mickey mouse themed cupcakes, don’t we?
